Saturday, March 14, 2015
Like the Son'a shotgun the pistol was designed by Ed Natividad. He was both a storyboard and conceptual artist for Star Wars Episode I and II. As a conceptual artist he helped shape the look of Episode I's architectural elements, costumes and weaponry.
Friday, December 26, 2014
The vest was also used on the set of Voyager by stunt actor Steve Blalock. In the episode "Worst Case Scenario" he plays a Maquis rebel, too. The production team added a velcro patch to the vest for a Starfleet combadge.
Monday, November 17, 2014
|Deleted scene with the new Klingons from Star Trek (2009) © Paramount Pictures|
Unfortunately the scenes with the new Klingons set on Rura Penthe were cut in Star Trek. Director J.J. Abrams tried to avoid a disruption of narrative flow. But the Klingons returned in the sequel Star Trek Into Darkness (2013). Michael Kaplan revised the costumes again. Although the Klingons got new outfits with a different kind of baldric you can see a Klingon with a black baldric which was designed for its predecessor.
Wednesday, October 29, 2014
Marti Matulis who worked as background actor in the movie. Matulis served as the fit model for the Reman warrior costumes during the design phase of Star Trek Nemesis, too.
"I got started early on that movie, as the fit model during the design of the Reman costumes. The best place to see me is when Ron Pearlman boards the Enterprise with his commando team. I'm the guy to the left of him as the gang rounds the hallway. I drop to my knee and take out a few red-shirts. Then, toward the end of the firefight, I take a rifle blast from Worf, and go down with a "Eeyorrrgh!" - Marti Matulis
|Marti Matilus as a Reman warrior in Star Trek: Nemesis (© Paramount Pictures)|
"The idea of the Remans being vampirelike slaves, laboring away in the dilithium mines, never seeing the sun, grew out of our desire to create a truly monstrous race. [...] It seemed obvious to me that the Romulans would subjugate some other race to dig dilithium for them. Much too messy for our pristine and elegant Romulans."
Tom Spina who restored the mask.
The Reman makeup is ultimately highly elaborate. "It was a full appliance makeup," explained Michael Westmore, "with a complete face piece that blended in with a headpiece. The actors' lower lips and chins were their own; but everything else was covered with the appliances, which were airbrushed with a marbleized pattern [....] We had eight Reman performers, and we didn't know which one Stuart [Baird] was going to pull up front [in closeup], so they all had to have the full makeup, which included teeth and contact lenses and hands painted to match the face."
The Reman head was sculpted by Earl Ellis. The Remans' ears are made of a semi-translucent latex and included veins. "The ears were neat," commented Michael Westmore. "Stuart [Baird] said, 'I want to be able to see through the ears.' I made the ears out of clear gelatin, so if there's any backlight behind them you can see through them. Then we painted veins on the back of the ears, so if the light was showing through you could even see veining through them."
Count Orlok from the 1922 horror movie Nosferatu, eine Symphonie des Grauens.
Indeed, the script for Star Trek: Nemesis describes the Remans as having "a disturbing resemblance to the original Nosferatu." Count Orlok actually served as inspiration for the Reman makeup design. Westmore related, "Stuart [Baird] handed me a picture of Nosferatu and said that was exactly what he wanted. He said, 'I need an alien [species] that looks like this.' And that's exactly what we did. I did some sketches for him and then we went to town on it. We designed the head and ears."
Scene from Star Trek: Nemesis