The site lists original props and costumes which have been used during the production of Star Trek. This page has been created to share my collection with you. Enjoy the posts and feel free to comment if you desire.

Wednesday, October 29, 2014

Reman Mask from Star Trek: Nemesis

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The Remans are a humanoid species first seen in Star Trek: Nemesis. They capture Captain Jean-Luc Picard after it is discovered that the Reman Praetor Shinzon is a clone of him. The mask was worn by actor Marti Matulis who worked as background actor in the movie. Matulis served as the fit model for the Reman warrior costumes during the design phase of Star Trek Nemesis, too.
"I got started early on that movie, as the fit model during the design of the Reman costumes. The best place to see me is when Ron Pearlman boards the Enterprise with his commando team. I'm the guy to the left of him as the gang rounds the hallway. I drop to my knee and take out a few red-shirts. Then, toward the end of the firefight, I take a rifle blast from Worf, and go down with a "Eeyorrrgh!"  - Marti Matulis
Marti Matilus as a Reman warrior in Star Trek: Nemesis (© Paramount Pictures)
The Remans were created as a response to the challenge of devising a new, terrifying alien race for Nemesis. It was screenwriter John Logan who came up with the idea of featuring Remans as the villains of the 2002 film:
"The idea of the Remans being vampirelike slaves, laboring away in the dilithium mines, never seeing the sun, grew out of our desire to create a truly monstrous race. [...] It seemed obvious to me that the Romulans would subjugate some other race to dig dilithium for them. Much too messy for our pristine and elegant Romulans." 

The Reman head application is made of foam rubber. The two piece set consists of a detailed skull cap with sculpted ears, cranial ridges and spray-paint to compete the effect of Reman skin. The second piece is the face application that is designed to cover the top half of the face and has had the same detailed attention paid to it to create the finished Reman appearance. The eyes has been added by Tom Spina who restored the mask.

The Reman makeup is ultimately highly elaborate. "It was a full appliance makeup," explained Michael Westmore, "with a complete face piece that blended in with a headpiece. The actors' lower lips and chins were their own; but everything else was covered with the appliances, which were airbrushed with a marbleized pattern [....] We had eight Reman performers, and we didn't know which one Stuart [Baird] was going to pull up front [in closeup], so they all had to have the full makeup, which included teeth and contact lenses and hands painted to match the face."

The Reman head was sculpted by Earl Ellis. The Remans' ears are made of a semi-translucent latex and included veins. "The ears were neat," commented Michael Westmore. "Stuart [Baird] said, 'I want to be able to see through the ears.' I made the ears out of clear gelatin, so if there's any backlight behind them you can see through them. Then we painted veins on the back of the ears, so if the light was showing through you could even see veining through them."

The concept of the Remans looking akin to vampires was also inspired by their lack of exposure to sunlight. "[Director] Stuart Baird and Rick Berman had the idea that they wanted the Remans to have an almost Nosferatulike feeling, but without making them into vampires," remembered makeup supervisor Michael Westmore, referencing the vampire Count Orlok from the 1922 horror movie Nosferatu, eine Symphonie des Grauens.

Indeed, the script for Star Trek: Nemesis describes the Remans as having "a disturbing resemblance to the original Nosferatu." Count Orlok actually served as inspiration for the Reman makeup design. Westmore related, "Stuart [Baird] handed me a picture of Nosferatu and said that was exactly what he wanted. He said, 'I need an alien [species] that looks like this.' And that's exactly what we did. I did some sketches for him and then we went to town on it. We designed the head and ears."

Scene from Star Trek: Nemesis


Source: Memory-Alpha.org

Sunday, May 11, 2014

Brent Spiner's “Lt. Commander Data” Isolation suit from Star Trek: Insurrection

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This is a bright red Isolation suit with helmet worn by "Lt. Commander Data" during the thrilling opening action sequence of Star Trek: Insurrection (1998). It's a complete collection of both "hero" and "stunt double" pieces worn by actor Brent Spiner and his stunt double Brian Avery.

The isolation suit was a type of stealth clothing used by the Federation Starfleet in the 24th century. The suit was equipped with technology that made the person wearing it practically invisible.

This Isolation suit includes Spiner's hero helmet and boots. The helmet has internal padding and an accordion collar. Brent Spiner's gold make-up is still visible inside. The boots are made of rubber. The belt has stunt double Brian Avery's name in it.

The red jumpsuit has a rubber neckline, a Velcro waist for the rubber belt to attach and stirrups for the feet and thumbs to hold the fabric taut. Attached to the jumpsuit on the right sleeve is a “cloaking device” that has sequential red LED lighting triggered by small buttons.

A gray shoulder piece from the Starfleet uniform as well as the yellow tunic is under the Isolation suit. The tunic has the screen matched burnt collar. Remember the scene when Data removes the helmet and is his head "floating" in the air. You can see the the damaged collar after Data was hit by a Son'a energy pistol.

Scene from Star Trek: Insurrection


Source: Memory-Alpha.org

Wednesday, January 1, 2014

Spock's Camping Outfit from Star Trek V: The Final Frontier

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This is one of the two outfits, which were worn on screen by Leonard Nimoy in his role as Spock in Star Trek V: The Final Frontier (1989) during his conversation with Kirk at the mountainside in the Yosemite National Park.

It consists of a denim jacket with fluorescent green accents and a square shaped hole created in the front for use around a harness and a purple and black Dickie with matching fabric scraps and gray colored scraps.

For the first scenes, when Kirk (William Shatner) and Spock are talking in a side view, Nimoy stood on a moveable teeter-totter. For the further scenes, the production team installed a pole at the fake rock wall made of fiberglass, attached one end to a body suit Nimoy was wearing under the outfit and moved the pole up and down.

About the Designer

Nilo Rodis-Jamero was the leading artist for the costumes used in Star Trek V: The Final Frontier. He worked at ILM in the 1980s. He served as a visual effects art director on The Empire Strikes Back, Raiders of the Lost Ark and Star Trek III: The Search For Spock. He is credited as the designer of the popular Klingon Bird of Prey first seen in Star Trek III.  He went on to work as a costume designer for Return of the Jedi and as an art director on Star Trek IV, V and VI.  When William Shatner saw the detail that Rodis put into his storyboards for Star Trek V: The Final Frontier, he hired him as a costume designer.  He shared those duties with Dodie Shepard.

Usually it is a lot of work, but sometimes you're just lucky and able to find enough small details for a comparison between your item and the one on screen. When I had a look at the back side of Spock's Denim jacket I was more than thrilled about all the recognizable areas of the fabric, which are absolutely unique - just like a human finger print. For a clearly screenmatch you can compare the photo of the jacket (left) with a screencap from the movie below.

Publicity Shot for Star Trek V: The Final Frontier




Scene from Star Trek V: The Final Frontier



Text Source: Memory-Alpha.org
Screencaps: Trekcore.com

Thursday, December 26, 2013

Son'a Padd from Star Trek: Insurrection

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The padd was featured in Star Trek: Insurrection. The high quality cast resin hand prop has been painted metallic gold with a raised black "screen" and silver tape accents. The image on the "screen" is that of a spatial scan with starship positions and Son'a character letters. On the reverse is a red application featuring similar Son'a character letters. The static prop measures approx. 9 X 6 X .5 inches.

It seems to be that the padd is the one which Gallatin use when he reports to Ru'afo (F. Murray Abraham) and Admiral Dougherty (Anthony Zerbe) because every Son'a Padd has a different red application on the reverse.






If you compare the photo above with the screncap you can see that the red applications are identical.



Screencap: Trekcore.com